Get Out is more than just a horror film; it has significant implications for race, identity, and power in our society. It combines psychological hardship with societal critique, creating something memorable.
Sigmund Freud established psychoanalytic theory, which focuses on understanding the unconscious mind—the portion of us that includes concealed beliefs, worries, and desires. It emphasizes the interaction of three components: the id (our instincts and impulses), the ego (our intellectual side), and the superego (our moral compass). Defence mechanisms, such as concealing traumatic memories or projecting anxiety onto others, are ways for the mind to protect itself. These principles help us grasp the characters’ underlying motivations and the symbolism that brings stories to life.
Chris, the main character is affected by the loss of his mother at a very young age which influences his decisions in a lot of ways in his life and relationships. Rose appears to be the ideal companion at first—supportive, empathetic, and even standing up for Chris in the face of unpleasant racist insults from her family. However, as the story progresses, her actual objectives are exposed. She is not the ally she seems to be, but rather a vital figure in Chris’s exploitation. Rose’s deception points out the dangers of staged allyship and tests our faith in individuals who appear to be on our side.
There are a lot of intriguing elements in the movie, one of them is the idea of the sunken place. It is a place where the main character is aware but is stuck in a void kind of place unable to do anything. This could be linked to the oppression the minority communities face in our society.
Peele incorporates symbols throughout Get Out to provide variety to the the story. The teacup, for example, appears innocent but becomes a weapon for hypnosis and control. The deer Chris meets at the beginning of the film evokes sentiments of guilt associated with his mother’s death. These symbols, paired with the spooky sound design and unnerving camera work, immerse the spectator in Chris’ emotional experience, making his troubles feel more personal.
Get Out is more than simply a movie. Peeling back its layers using psychoanalytic theory reveals how it investigates the hidden concerns and power dynamics associated with race and identity. Jordan Peele’s work is a masterpiece which leaves you with a lasting impression even after the movie has ended.
tatkins
So far, so good. The essay is meant to be a compare and contrast exercise so you will need to find a film to contrast this to.
Have you used any scholarly sources so far. If so, what? With fairly dense theory such as psychoanalysis a couple of good sources would be helpful.